Meditation Corner — 28 museum-grade prints sized and toned for the room. Aipan is the ritual floor- and wall-art of the Kumaon region of Uttarakhand, made traditionally by Kumaoni women with white rice-paste (biswar) drawn by fingertip onto a geru — red-ochre earth — ground. The bindu, the single point, is where a diagram begins, and vasudhara dot-rows honour the giving earth; a concentric dot mandala distils that vocabulary to pure radiating points. Sohrai is a harvest-season wall art of Hazaribagh district, Jharkhand, painted by women of tribal and Kurmi communities to welcome cattle home after the rice harvest, around Diwali. The lotus pond, blooming with lotus, fish and ducks, is a recurring Sohrai blessing of water and abundance — the ponds that water the plateau fields and feed its life. Gond painting comes from the Gond Adivasi communities of central India, with its best-known school formed by the Pradhan Gond of Patangarh and the wider Dindori region of Madhya Pradesh. The contemporary form is largely the legacy of Jangarh Singh Shyam (1962–2001), whose line-and-in-fill manner — every form bounded by a bold outline, then filled with rows of dots, dashes, commas and scales — became known as Jangarh Kalam and was carried on by his family and students.





$49



$49


$49

$49




$49








$49

$49