Warm Terracotta — 46 museum-grade prints in this palette. DESIGN BRIEF: the brief was the moment after the cut, so the hero is a large oval medallion holding the threshing floor itself — pairs of yoked oxen walking a circle over the grain while figures drive them and toss it with winnowing forks — and the rest of the harvest stacks in bands above and below. We held the fill to medium and kept the fish-net frame open rather than a packed mesh, with clear oxblood ground around the oval so the oxen, the sheaves and the winnowing read at a glance. DESIGN BRIEF: the brief was the women's pot dance, so the hero is full-width rows of dancers each balancing a stack of pots on her head, knees bent into the step, with barrel-drummers anchoring the ends of the rows. We held the fill to medium and kept the fish-net frame open rather than a packed mesh, leaving clear deep-maroon ground between the rows so the balanced pots and the bent-knee bodies read at a glance and never blur into one mass. DESIGN BRIEF: the brief was the communal youth hall, an interior crowded with seated figures, so we cut its front wall away and drew the rows of young people straight on under one wide roof, a standing elder with a raised hand at the centre, and set the village day around it — ploughing, weaving, cooking, the well. We held the fill to medium and kept the fish-net frame open rather than a packed mesh, so even with the hall full the oxblood ground threads through and each seated row and chore stays legible.





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