DESIGN BRIEF: the brief was to give the herd the weight it carries in real life, so the buffalo and cattle run in broad horizontal bands across the panel — heavy bodies, curved horns, calves tucked between — with small herder figures and their switches setting the pace. We held the fill to medium and kept the fish-net frame bold and open rather than a merged mesh, so the animals read as distinct shapes against the breathing deep-crimson ground and never melt into one mass. The rounded faceless figures are pure Lanjia Saura — bent-knee, bulb-headed, joined hand-to-hand in the dancing base row — never Warli triangles, and there is no perspective depth, just bands stacking up the panel. Cattle and buffalo measure a Sora household's standing, so the herd shares the wall with the shrine, the tree, the weighing-scale and the dance; the print wanted that sense of livestock woven into the whole day rather than penned off on its own.