DESIGN BRIEF: the brief was to put a real hill livelihood — kewda screwpine cutting — into Saura line without faking a ritual ikon. We chose the harvest-field-rows symmetry so the work stacks in honest registers the way a hillside terraces, and held the fill to medium-light so the deep-maroon ground stays visible between every band of plants. The screwpine clumps are the hero: drawn as spiky fans of straight rice-paste strokes, they let the rounded faceless harvesters read instantly — bent knees, curved cutting blades, bundles carried overhead, conical baskets filling up. We refused a packed mesh, refused faces, refused any machinery or signage; the labour speaks through posture alone. A top band carries the customary horse, elephant and sun-and-moon the way real Lanjia Saura walls open, and a tree of life with deer, peacocks and a cow closes the panel at the foot.