Festival Art Prints — 176 museum-grade prints on the theme. Aipan is the ritual floor- and wall-art of the Kumaon region of Uttarakhand, made traditionally by Kumaoni women with white rice-paste (biswar) drawn by fingertip onto a geru — red-ochre earth — ground. The ashtadal kamal, the eight-petal lotus, is a classic Lakshmi-yantra form drawn at Diwali: the lotus is the seat of the goddess of fortune, and the lamps and conches set between its petals are the offerings of the rite. Kalighat Pat grew up in 19th-century Kolkata, painted by migrant patua (chitrakar) scroll-painters who settled near the Kalighat Kali temple and sold quick watercolour souvenirs to pilgrims. Working on mill-made paper with a bold single black brush outline and soft 'boneless' shaded strokes on a plain ground, they painted gods and goddesses alongside what is often called India's first modern social satire — sharp, affectionate caricatures of the colonial 'babu' and the hypocrisies of Calcutta life. DESIGN BRIEF: the brief was the women's pot dance, so the hero is full-width rows of dancers each balancing a stack of pots on her head, knees bent into the step, with barrel-drummers anchoring the ends of the rows. We held the fill to medium and kept the fish-net frame open rather than a packed mesh, leaving clear deep-maroon ground between the rows so the balanced pots and the bent-knee bodies read at a glance and never blur into one mass.







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