DESIGN BRIEF: Godna on paper often collapses into a single mandala or a horizontal arm-band — I wanted the dot rhythm itself to be the hero, not a figure inside it. Rajnagar tattoo grammar runs on punctured lines: bundi dot clusters, chudi concentric rings, dashed stems — vocabulary that reads as texture before it reads as image. Fourfold rotational symmetry solves the layout problem because a square field of dots needs a centre that rotates cleanly; the quatrefoil mandala gives four identical lobes so each quadrant carries the same dot-ring density without one corner feeling heavier. Fish on the cardinal axes and birds in the diagonal corners split the faunal load the way ankle and wrist godna split protection motifs — fish for fertility and water blessing, birds for threshold guardianship — while lotuses at top and bottom centre anchor the vertical breath. I kept colour minimal: terracotta, ochre, and slate grey appear only in the diamond border triangles and petal accents, never as Bharni flat fills, so the lampblack dot paths stay legible at A2. The border diamond lattice repeats tattoo band geometry — arm-circumference triangles scaled to rectangular wall proportion — with corner square flower tiles closing the frame the way forehead godna closes a facial composition.