DESIGN BRIEF: Godna on paper often fails when the dash grid reads as wallpaper filler detached from the figure field — the fix is to let the horizontal band grammar own both border and body. Rajnagar leg-tattoo bands run in symmetric rows of diamonds, triangles, and punctured dash cells; scaling that arm-band geometry to a portrait wall meant stacking wide horizontal registers top and bottom while keeping the hero motif inside a vertical mirror axis the tattoo tradition already trusts. Paired facing fish (matsya) carry prosperity symbolism in Mithila without needing Bharni colour blocks — every scale is dash-and-dot Godna stroke, terracotta ochre appearing only where a fin edge or lotus petal needs warmth. The lotus on the central stem solves the vertical gap between fish heads the way a wrist-band tattoo bridges forearm segments: one continuous stem, symmetrical leaves, semi-circular base anchoring the composition above the lower dash-grid band. Corner circular mandalas and saw-tooth outer teeth extend tattoo border vocabulary to the rectangle edge; upper peacock-bird pair reintroduces faunal godna from shoulder and ankle motifs without breaking the horizontal row rhythm that defines this grid variant among the Godna siblings.