DESIGN BRIEF: Godna on paper is not a deity panel scaled up — it is body ornament translated to wall scale, and arm-band tattoos only make sense as paired vertical strips. Twin-panel mirror symmetry solves the layout problem: left and right panels duplicate exactly so the eye reads bilateral identity markers first, narrative second. I kept the central dot spine as the seam where skin would meet skin — a column of uniform lampblack points that continues the tattoo needle rhythm without pretending to be a decorative divider. Inside each band the motif stack follows Dusadh arm-tattoo order: lotus root at the wrist line, naga protection rising through the forearm, bloom crown at the upper register, bird guardian on the outer edge where the band wraps toward the shoulder. Dot lattice fills the negative space the way godna artists puncture cream ground on cow-dung-washed paper — density without Bharni flat fill. The alternating diamond border is scaled leg-band geometry pulled to portrait proportion so A2 still resolves individual dot rows and diamond colour alternation without the panels collapsing into grey noise.