Marigold Orange — 13 museum-grade prints in this palette. Kachni — from the Hindi word for hatching or line work — is the Madhubani style associated with Kayastha women's compositions in the Mithila region, distinct from Brahmin Bharni flat-fill deity panels and Dusadh Godna tattoo dot-and-dash. Kachni artists build texture through parallel strokes on petals, wings, water, and border grounds, applying colour washes sparingly while lampblack outlines hold every form. Kalighat Pat grew up in 19th-century Kolkata, painted by migrant patua (chitrakar) scroll-painters who settled near the Kalighat Kali temple and sold quick watercolour souvenirs to pilgrims. Working on mill-made paper with a bold single black brush outline and soft 'boneless' shaded strokes on a plain ground, they painted gods and goddesses alongside what is often called India's first modern social satire — sharp, affectionate caricatures of the colonial 'babu' and the hypocrisies of Calcutta life. Bathukamma is Telangana's autumn flower festival, held over nine days around Durga Navaratri, when women build a conical stack of seasonal blooms — gunugu, tangedu, marigold — and circle it singing through the evening before floating it on a tank or lake. Cheriyal scroll painting itself comes from Cheriyal village in Telangana's Siddipet district, painted by the Nakashi artist community on a signature red ground and once unrolled by travelling balladeers to narrate epics and caste legends.