Gold Ochre Wall Art

Gold Ochre — 30 museum-grade prints in this palette. Kalighat Pat grew up in 19th-century Kolkata, painted by patua (chitrakar) scroll-painters who settled near the Kalighat Kali temple and sold quick watercolours to pilgrims. Alongside gods and goddesses they produced what is often called India's first modern social satire — and their single most famous target was the Westernised, self-admiring 'babu' dandy of colonial Calcutta, often drawn with mirror and perfume. Ardhanareeswara — the half-Shiva, half-Parvati form — embodies the inseparability of the masculine and feminine principles, and it is a natural subject for bhitti chitra, Kerala's temple-mural tradition that flourished roughly from the 16th to 19th century and is still painted today. These murals use the panchavarna five-colour system — red, yellow, green, black and white over an ochre ground — in flat opaque fields bounded by a bold lamp-black outline, with the school's elongated lotus-shaped eyes. Ayyappa, also called Sastha or Dharmasastha, is the deity of Sabarimala, one of the most visited pilgrimage shrines in India, reached after a strict forty-one-day vratham. He is classically shown in the seated yogic posture with the yoga-pattam band around the knees, and his vahana is the tiger.

Updated 22 Jun 2026