Unhurried — 16 museum-grade prints that set the mood. Kalighat Pat grew up in 19th-century Kolkata, painted by migrant patua (chitrakar) scroll-painters who settled near the Kalighat Kali temple and sold quick watercolour souvenirs to pilgrims. Working on mill-made paper with a bold single black brush outline and soft 'boneless' shaded strokes on a plain ground, they painted gods and goddesses alongside what is often called India's first modern social satire — sharp, affectionate caricatures of the colonial 'babu' and the hypocrisies of Calcutta life. Sohrai is a harvest-season wall art of Hazaribagh district, Jharkhand, painted by women of tribal and Kurmi communities in natural earth pigments — manganese black, hematite red, kaolin white and ochre yellow — on a daubed mud wall to welcome cattle home after the rice harvest, around Diwali. The festival is rooted in exactly this paddy-and-millet reaping: the cutting, binding and gathering of the grain that the season is built around.