Livelihood Rooted — 2 museum-grade prints that set the mood. Bharni is the Brahmana women's filling tradition within Madhubani painting — historically distinct from Kayastha Kachni line work and Dusadh Godna tattoo stipple. Where Kachni builds form through parallel hatching alone, Bharni declares in vermillion, cobalt, purple, ochre, and lampblack solids bounded by bold double outlines — the style traditionally served deities, peacocks, fish, harvest women, and wedding-procession scenes on interior walls. Madhubani — Mithila painting from the Mithila region of Bihar and adjoining Nepal — traditionally covered courtyard and interior walls for weddings, festivals, and seasonal rites, with knowledge passed matrilineally. Kachni is the Kayastha women's line tradition within that corpus: form built through parallel hatching, stippling, and cross-hatching with bamboo sticks and nib pens, historically in restricted red-black or indigo-ochre palettes on cream ground, distinct from Brahmana Bharni flat-fill work.