Line Forward — 6 museum-grade prints that set the mood. Kachni is the Kayastha women's line tradition within Madhubani painting — historically distinct from Brahmana Bharni flat-fill work. Where Bharni shouts in vermillion and lampblack solids, Kachni whispers through parallel hatching, stippling, and cross-hatching laid down with bamboo sticks, twigs, and fingers on cream or mud-plaster ground. Deer (mriga) appear throughout Mithila folk painting as gentle forest inhabitants — distinct from the peacock's rain symbolism or the fish's fertility charge, but equally at home on household and ritual walls. Kayastha Kachni tradition builds these sylvan scenes through line density rather than Bharni's saturated flat fills: parallel strokes on animal bodies, cross-hatching in foliage, scalloped bands for water. Madhubani — Mithila painting from the Mithila region of Bihar and adjoining Nepal — traditionally covered courtyard and interior walls for weddings, festivals, and seasonal rites, with knowledge passed matrilineally. Kachni is the Kayastha women's line tradition within that corpus: form built through parallel hatching, stippling, and cross-hatching with bamboo sticks and nib pens, historically in restricted red-black or indigo-ochre palettes on cream ground, distinct from Brahmana Bharni flat-fill work.