Dawn Calm — 3 museum-grade prints that set the mood. Warli painting comes from the Warli Adivasi community of the North Sahyadri range — Dahanu, Talasari, Jawhar, Palghar, and Mokhada talukas where rice-paste white line on geru-coated walls narrated daily life. Village-daily scenes — grinding, sweeping, water-fetching, cattle care — appear throughout classical wall cycles painted by women during auspicious weeks, distinct from lagnacha chauk wedding geometry and from tarpa harvest dance rings. Pattachitra is the cloth-painting tradition of Odisha, centred on the chitrakar families of Raghurajpur near Puri, worked in five mineral colours on patta with crisp lamp-black contour and profile figures. Boita Bandana, observed at dawn on Kartik Purnima, has Odias float small lamp-boats (boita) on rivers and the sea to commemorate the ancient maritime traders of Kalinga who sailed to Bali, Java and Sumatra — the same memory celebrated at Cuttack's Bali Yatra fair. Cows are the heart of Pushtimarg (Vallabh) devotion — go-seva, the care of cattle, is inseparable from worship of Shrinathji, the cowherd child-Krishna of the Nathdwara haveli-temple in Rajasthan. The horizontal cow-register is a classic pichwai motif; here it carries a contemporary dairy economy.