DESIGN BRIEF: forest-scatter symmetry for village-daily life, not the wedding chauk poster that parks sacred squares on every domestic scene. Morning chores around huts is a Dahanu grammar problem — how do you show sweeping, grinding, water-carrying, and livestock feeding in one vertical frame without defaulting to a tarpa spiral or lagnacha geometry that belongs on marriage nights? Forest-scatter lets the large sun anchor top centre while hut squares, mortar pair, and animal dots distribute at human scale across the ochre field. What we refused: central chauk square, concentric dance ring, perspective depth on hut roofs, and tourist-poster clutter of every village activity stacked inside one square. What we kept legible: stilt machan on the right hut, grinding pole posture, yoke-and-twin-pot water carrier, bull with sickle, basket-on-head walker, chickens at feed dots, and goat kid scale beside the mortar. Light density preserves geru-wall breath between chores — the empty ochre between sun rays and hut roofs is morning quiet, not blank canvas.