Ochre Accent — 2 museum-grade prints in this palette. Kachni — line art — is the Madhubani style associated with Kayastha community artists in the Mithila region, built from fine parallel hatching, stipple, and cross-hatching rather than the saturated flat colour fields of Brahmin Bharni deity panels. Padmasana and anjali mudra carry long yogic association: lotus seat for grounded meditation, prayer hands for reverence and centreing — practices documented along the Ganges at Rishikesh and Haridwar for centuries, amplified globally through modern International Yoga Day observance and contemporary wellness tourism. Godna — ritual tattoo art — is historically practised by Dalit Dusadh women in the Mithila region and stands distinct from Brahmin-led Bharni, Kachni, and Tantrik Madhubani that foreground Savarna deities and saturated flat colour. Tattoo motifs migrated to paper and cloth from the 1970s onward, notably in Jitwarpur and Rajnagar circles, preserving punctured dots, dashed stems, and nature-centred iconography — vines, fish, birds, concentric flowers — rather than Kohbar wedding narratives or Rama-Sita epics.