DESIGN BRIEF: Wellness stock photography and Mithila wall grammar disagree on almost everything — anatomical realism, gradient skies, English captions, empty margins. Vertical-bilateral Kachni symmetry solves the layout problem: the yogini becomes a central pillar figure like a Kohbar bride axis or sitar neck, with Surya disk as crown bindu behind anjali mudra so sunrise reads as ritual ascent rather than gym marketing. I kept padmasana and prayer hands literal enough for Rishikesh recognition, then folk-stylised everything else — grey trousers become horizontal hatch weave, mountains become triple ridge line bands, Ganga becomes wavy parallel water hatching with classical fish-lotus threshold at the base. Kachni over Bharni for the sky because flat turmeric alone would flatten dawn; radiating line fans carry the glow vector the way Kayastha artists once used hatch density for shade on courtyard walls. Tree parrots and bottom fish are not decorative afterthoughts — they are inward-facing Mithila guardians anchoring the wellness subject in fish-prosperity and bird-messenger vocabulary so the fusion stays Mithila-first, yoga-second. Border lotus petals tie the frame to Aripana and Kohbar floral rings without importing wedding narrative.