Contemporary Fusion Art — 2 museum-grade prints on the theme. Kachni — from the Hindi word for line art — is the Madhubani style associated with Kayastha community artists in Darbhanga and Rajnagar, built from fine parallel hatching, stipple dots, and minimal colour accent rather than the saturated flat fills of Brahmin Bharni panels. The sitar itself carries deep North Indian classical association: long-necked lute family instrument central to Hindustani raga performance, with gourd resonators, movable frets, and sympathetic strings — Varanasi remains among India's most storied gharana cities for sitar and tabla pedagogy along the Ganges ghats. Bharni — "to fill" — is the Mithila colour-flood style historically associated with Brahmin women painters in Jitwarpur, Ranti, and Rasidpur; bold lampblack outlines enclose vermillion, turmeric, and palash orange fills on wedding walls and, after drought-relief paper programmes in the 1960s–70s, on handmade sheets for wider commerce. Contemporary Mithila artists have extended Bharni grammar to daily-life subjects — cycles, autos, trains, smartphones — while keeping horror vacui fill rules and double-outline discipline.

$49

$49