Heritage Lounge — 3 museum-grade prints sized and toned for the room. Kohbar — also called Puren in some Mithila villages — is the Madhubani style reserved for wedding rituals, painted on the walls, paper, or fabric of the kohbar ghar where bride and groom first meet after the ceremony. Elder women of Brahmin and Kayastha households traditionally executed these panels on cow-dung-washed mud plaster, singing Ram-Sita wedding songs while drawing; Jitwarpur in Madhubani district remains a noted centre for classical Kohbar narrative panels. Bharni — from the Maithili word for filling — is the Madhubani style historically practised by Brahmin women of Mithila, distinct from Kayastha Kachni line work and Dusadh Godna tattoo grammar. On freshly plastered kohbar ghar and festival walls called bhitti chitra, artists drew bold lampblack outlines then flooded enclosed shapes with vermillion, turmeric, indigo, and forest green until no cream showed through — the visual logic buyers still associate with classical deity panels. Bharni is the Brahmana women's colour-fill tradition within Madhubani painting — historically distinct from Kayastha Kachni line work. Where Kachni builds shade through parallel hatching, Bharni declares through bold vermillion, turmeric, green, and lampblack solids bounded by double black contours.