Warm Glowing — 2 museum-grade prints that set the mood. The temple utsavam — the annual festival — climaxes in the ezhunnallippu, the ceremonial procession in which the deity's image is carried out on a caparisoned elephant, accompanied by parasols, whisks and the percussion of the chenda melam, often by lamplight. The picture is built in the idiom of bhitti chitra, Kerala's temple-mural tradition, which uses the panchavarna five-colour system — red, yellow, green, black and white over an ochre or red ground — in flat opaque fields bounded by a bold lamp-black outline, with the school's signature elongated lotus-shaped eyes. Ragamala ('garland of ragas') painting personifies the musical modes as figures and scenes; Dipak, the 'lamp' raga, is a fire-mode of legendary potency — the tale of the singer Tansen kindling lamps by performing it is part of its lore — and is conventionally shown as a prince among many lamps on a night terrace. This treatment follows the Marwar school centred on Jodhpur, known within the Rajput miniature umbrella for deep night grounds and desert-court intensity.