Dawn Quiet — 2 museum-grade prints that set the mood. Warli communities of Talasari, Dahanu, and Palghar talukas live where the North Sahyadri meets the coast — triangle peaks in classical painting shorthand for the Western Ghats that frame daily life. Sun-moon-arch celestial bands appear in marriage and seasonal ritual walls; here the arch frames dawn over mountains rather than harvest dance. Saura (also Sora or Saora) is one of the oldest Adivasi communities of southern Odisha; the Lanjia Saura sub-group of the Rayagada and Gajapati hills are known for their ritual wall paintings, called ikon or idital, painted by a kuranmaran (shaman-priest) in white rice paste on the deep-maroon inner wall of a house to honour deities and ancestors. The mahua tree (Madhuca longifolia) is central to Adivasi life across central and eastern India — its dawn-falling flowers gathered for food, cooking oil and a traditional brew, the season marking a small annual rhythm.