Communal Warm — 3 museum-grade prints that set the mood. Gond painting comes from the Gond Adivasi communities of central India, with its best-known school formed by the Pradhan Gond of Patangarh and the wider Dindori region of Madhya Pradesh. The contemporary form is largely the legacy of Jangarh Singh Shyam (1962–2001), whose distinctive line-and-in-fill manner — every form bounded by a bold outline, then filled with rows of dots, dashes, commas and scales — became known as Jangarh Kalam and was carried on by his family and students. Saura (also Sora or Saora) is one of the oldest Adivasi communities of southern Odisha; the Lanjia Saura sub-group of the Rayagada and Gajapati hills are known for their ritual wall paintings, called ikon or idital, painted by a kuranmaran (shaman-priest) in white rice paste on the deep-maroon inner wall of a house to honour deities and ancestors. Stitching siali (Bauhinia vahlii) leaves into plates and bowls is a real forest-craft livelihood across the eastern-Indian hill belt, much of it women's work; daily-craft scenes recur across Saura panels alongside ritual subjects.