Peacock Teal — 3 museum-grade prints in this palette. The lotus seat (kamal-peeth) marks divine presence in Nathdwara cloth-paintings — the deity enthroned on a great lotus, the radiating petals signalling glory. A pichhwai (literally 'that which hangs at the back') is the painted cloth hung behind the Shrinathji deity to set the seasonal scene; the lotus-throne mandala is one of its most majestic forms. Shringar is the daily and seasonal adornment of Shrinathji at Nathdwara — the deity's costume, jewels and flowers change with the festival calendar, each darshan dressed for its moment. A pichhwai (literally 'that which hangs at the back') is the painted cloth hung behind the deity to complete the shringar scene. The cow-and-calf bond embodies vatsalya-bhakti — the tender, parental love at the centre of Pushtimarg devotion, where go-seva (service of the cow) is core. A pichhwai (literally 'that which hangs at the back') is the painted cloth hung behind the Shrinathji deity to set the scene; the cow is among its most beloved subjects, sacred rather than secondary.