Orange Blossom — 2 museum-grade prints in this palette. Bharni — from the Maithili word for filling — is the Madhubani style historically practised by Brahmin women of Mithila, distinct from Kayastha Kachni line work and Dusadh Godna tattoo grammar. On freshly plastered kohbar ghar and festival walls called bhitti chitra, artists drew bold lampblack outlines then flooded enclosed shapes with vermillion, turmeric, indigo, and forest green until no cream showed through — the visual logic buyers still associate with classical deity panels. Krishna-lila — the play of the cowherd god — is among the most beloved themes of Rajput and Pahari painting; the scene of Krishna playing his flute (murali or bansuri) by the Yamuna, drawing cows, gopis and peacocks, is a central image of Vaishnava devotion. This treatment follows the Bundi school of southeastern Rajasthan, prized within the Rajput miniature umbrella for lush malachite-green groves, lapis water and dense floral colour.