Classical Mithila Posters — 2 museum-grade prints on the theme. Deer (mriga) appear throughout Mithila folk painting as gentle forest inhabitants — distinct from the peacock's rain symbolism or the fish's fertility charge, but equally at home on household and ritual walls. Kayastha Kachni tradition builds these sylvan scenes through line density rather than Bharni's saturated flat fills: parallel strokes on animal bodies, cross-hatching in foliage, scalloped bands for water. In Mithila Kohbar painting — the ritual murals painted on the walls of the nuptial chamber (kohbar ghar) during Maithili weddings — bamboo groves carry explicit male fertility symbolism. Maithili treats bamboo (baans) as masculine: it multiplies quickly, stands in dense clumps, and visually encodes the groom's patrilineage (bans, lineage — a near-homophone artists exploit deliberately).

$49

$49