Water Flow — 2 museum-grade prints that set the mood. Warli painting belongs to Warli Adivasi communities of the North Sahyadri — white rice paste on geru walls documenting river fishing, pond carrying, and bamboo bridge crossings across Palghar and Dahanu. Net casting and drag netting are classical livelihood motifs distinct from tarpa ritual dance and chauk marriage geometry. Water fetching by women with head vessels and river/net fishing by men (and women in some villages) are daily Warli narratives emphasizing human-water reciprocity. River-flow symmetry tiers habitation, action, and shore — distinct from horizontal plough bands and chauk ritual squares.