Rural Rhythmic — 2 museum-grade prints that set the mood. DESIGN BRIEF: the brief was a livelihood, not a deity, so we gave a single toddy palm the centre slot a tree of life would normally hold — fronds fanned at the crown, collecting pots strung along the trunk, a tapper climbing it — and let the present-day village fill in around its foot. We held the fill to medium and kept the fish-net frame open rather than a packed mesh, leaving clear deep-maroon ground so the tall palm reads as the spine and the carriers, dancers and well stay legible. DESIGN BRIEF: the brief was a working day in the hills with the herd as its quiet centre, so the middle band gives the long-horned buffalo and humped cattle the most room, driven on by stick-carrying drovers, while the chores that fill a real day stack above and below in plain bands. We held the fill to medium and kept the fish-net frame open rather than a packed mesh, leaving clear oxblood ground between the rows so the great curved horns and the small calf stay legible at a glance.