Field Rhythm — 3 museum-grade prints that set the mood. Agriculture dominates post-hunting Warli narrative — ploughing, planting, harvest carry, winnowing each use distinct symmetry (horizontal band, procession, scatter) not interchangeable spirals. Bullocks remain essential draft animals in Jawhar taluka hill agriculture. Threshing — separating grain from stalk — uses circular floor layouts in Warli villages where oxen walk the circle crushing harvest. This agricultural circle must not be confused with tarpa dance ring — same circle grammar, different social function. Warli painting belongs to the Warli Adivasi community of the North Sahyadri range including Talasari, historically narrating farming and forest labour in white rice-paste on geru-coated mud walls. Sugarcane cultivation marks the coastal plain and foothill belts where Warli villages intermix agrarian cycles with monsoon forest rhythm — harvest cut by hand at stalk base, loads carried head-high to crushing mills.