Dusk Calm — 2 museum-grade prints that set the mood. Warli painting belongs to the Warli Adivasi community of the North Sahyadri Range in Maharashtra — villages across Dahanu, Talasari, Jawhar, Palghar, Mokhada, and Vikramgad where women traditionally painted rice-paste white pigment on red ochre cow-dung-washed hut walls during life-cycle rituals. Bird flocks appear throughout classical Warli nature vocabulary as messengers between earthly and spiritual realms — flying V-formations and dot flocks symbolise movement, seasonal return, and the cyclical day without importing tarpa dance ring geometry reserved for harvest celebration. The mor-kuti, the peacock courtyard, is part of haveli temple life — peacocks have long kept the courtyards, calling as the evening lamps are lit. A pichhwai (literally 'that which hangs at the back') is the painted cloth hung behind the Shrinathji deity to set the season and the hour; courtyard and dusk scenes carry the temple's daily rhythm.