The brief was to make the priest the pivot of the cloth: keep the Mother Goddess enthroned on her cockerel at the centre, but bring the bhuvo — the oracle-priest of the Devipujak tradition — forward to stand before her, staff in hand, blessing a devotee who kneels at his feet with lamps and offerings set between them. The bhuvo is the living link in Vaghri worship, the one who falls into trance and speaks for the Mother, so the whole scene is built around that act of intercession rather than around the Goddess alone. Narrative panels ring the moment with musicians, flag-bearers, seated worshippers and an umbrella-bearer, so the cloth reads as a shrine in full ritual session. The Vaghri (Devipujak) painters of Ahmedabad made these cloths to be the shrine where exactly this happens. Madder red, iron-black, cream — the natural-dye triad keeps it sacred, not theatrical.