The brief was vertical-axis symmetry for a classical village-daily craft subject — not tarpa musicians, not electric fusion an aisle over in the catalog. Potter at wheel in Warli grammar means concentric spoke circle as hero disc, triangle potter torso bent over forming vessel, assistant potters at smaller scale flanking — the way rice-paste walls showed communal craft before motors arrived. Vertical-axis lets the tree crown the workshop while pole carriers and head carrier occupy upper transport band. What we refused: electric motor box, perspective workshop depth, multicolor glaze, concentric dance ring. What we kept legible: four pots on carrying pole, spoke wheel radial lines, finished wares shelf with zigzag bands, deer pair flanking geometric square as village-life punctuation, nine-plant floral border echoing wall-painting edge tradition.