The brief was the miracle of the raas: on the autumn full-moon night Krishna multiplied himself so that each gopi danced with her own Krishna, and the picture has to make that simultaneity feel like a single turning wheel rather than a crowd. Mewar was the right school because its Udaipur and Nathdwara ateliers loved the flat hingul-red ground and the bold ring composition, and they painted the raas as a true medallion. So the composition is built as a border-medallion: a lapis-blue circle at the heart holds the central pair, a ring of dancing pairs wheels around it on the red ground, and the kadamba trees and full moon crown the top while a lotus pond bases the foot. The red is the night warmth, the blue circle the still centre. We kept the dancers large and clearly separated so the wheel reads as rhythm, not a tangle.