Terracotta Mud — 2 museum-grade prints in this palette. Warli painting belongs to the Warli Adivasi community of the North Sahyadri Range in Maharashtra — villages across Dahanu, Talasari, Jawhar, Palghar, Mokhada, and Vikramgad where women traditionally painted rice-paste white pigment on red ochre cow-dung-washed hut walls during life-cycle rituals. Bird flocks appear throughout classical Warli nature vocabulary as messengers between earthly and spiritual realms — flying V-formations and dot flocks symbolise movement, seasonal return, and the cyclical day without importing tarpa dance ring geometry reserved for harvest celebration. Warli painting comes from the Warli Adivasi community of the North Sahyadri range in Maharashtra — villages such as Dahanu, Talasari, Jawhar, Palghar, and Mokhada, inland from the Mumbai coast. Traditionally women painted interior mud walls with white pigment made from rice flour, water, and gum, using a chewed bamboo stick as brush, often for weddings, harvests, and festivals so future generations could read the scene.