Pale Cream — 3 museum-grade prints in this palette. Kalighat Pat grew up in 19th-century Kolkata, painted by patua (chitrakar) scroll-painters who settled near the Kalighat Kali temple and sold quick watercolours to pilgrims. Alongside gods and goddesses they produced what is often called India's first modern social satire — sharp, affectionate caricatures of everyday Calcutta life and its small domestic battles. Mata ni Pachedi means 'the cloth of the Mother Goddess' — a shrine textile of the Vaghri / Devipujak community of Ahmedabad, Gujarat, who, historically barred from temples, painted the Goddess on cloth to create their own portable shrine. The bhuvo is the oracle-priest or medium who, dancing in trance before the cloth as drummers play and dhuno incense smokes, is believed to channel the Mother and answer devotees.