Ochre Orange — 2 museum-grade prints in this palette. Kaliya Mardana — Krishna subduing the serpent Kaliya, who had poisoned a pool of the Yamuna, by leaping in and dancing upon his many hoods until the snake submitted and his naga-wives begged for his life — is one of the most beloved Krishna-childhood episodes. Here it is painted in bhitti chitra, Kerala's temple-mural tradition that flourished roughly from the 16th to 19th century and is still painted today: flat panchavarna pigments (red, yellow, green, black, white over an ochre ground), a bold lamp-black outline, the halo and the school's elongated lotus-shaped eyes. Bharni is the Brahmana women's colour-fill tradition within Madhubani painting — historically distinct from Kayastha Kachni line work. Where Kachni builds shade through parallel hatching, Bharni declares through bold vermillion, turmeric, green, and lampblack solids bounded by double black contours.