Lemon Yellow — 2 museum-grade prints in this palette. Kalighat Pat grew up in 19th-century Kolkata, painted by migrant patua (chitrakar) scroll-painters who settled near the Kalighat Kali temple and sold quick watercolour souvenirs to pilgrims. Working on mill-made paper with a bold single black brush outline and soft 'boneless' shaded strokes on a plain ground, they painted gods and goddesses alongside what is often called India's first modern social satire — sharp, affectionate caricatures of the colonial 'babu' and the hypocrisies of Calcutta life. Positano grew from a quiet fishing village into one of the Amalfi Coast's most photographed destinations after John Steinbeck's 1953 Harper's Bazaar essay put the cliffside town on the international travel map. The Church of Santa Maria Assunta, with its Byzantine-inspired majolica dome, anchors the village skyline above the Spiaggia Grande — a pairing of sacred architecture and Tyrrhenian waterfront that defines how most travellers remember Campania's vertical coast.