Blossom Pink — 4 museum-grade prints in this palette. Cheriyal scrolls come from Cheriyal village in Telangana's Siddipet district, painted for generations by the Nakashi artist community for travelling balladeers who sang the Ramayana episode by episode. The Ashoka Vatika is the grove in Ravana's Lanka where Sita was held captive, watched over by rakshasi guards; Hanuman, sent to find her, hides in the trees and reveals himself with Rama's ring — the scene that turns the epic toward rescue. The blackbuck (krishna-mriga, the 'dark antelope') was the most prized game of the Rajasthan deserts and a recurring subject in Marwar painting, where wildlife studies rendered animals in crisp flat profile against intense ochre and saffron ground. This treatment follows the Marwar school centred on Jodhpur, known within the Rajput miniature umbrella for desert-court intensity and a jewel-bright palette. Ragamala ('garland of ragas') painting personifies the musical modes as figures and scenes; Hindola ('swing') is a monsoon raga conventionally shown as lovers — often Krishna and Radha — on a flower-hung swing, linked to the Teej swing-festival of the rains. This treatment follows the Kangra school of the Himachal foothills, which flourished under Raja Sansar Chand in the late 18th and early 19th centuries and is prized within the Rajput miniature umbrella for lyrical naturalism and soft green landscape.